To Each his Tribes: From Contract to Pact

Michel Maffesoli

The dominant attitude in political and journalistic milieux is to cling on to this widely-held belief, rooted in the philosophical and social systems of the eighteenth and nineteenth centuries, that individualism remains triumphant. And yet the plural person and emotional tribes – this is a reality that we see around us every day, and one which is difficult to deny, or to refute.

In place of civilisation given to reasoning, that of a masterable narrative and a contractual social bond, comes a culture of instinct, where we want to confront destiny face to face. The former rested on a predictable project: the project of life, economics, education. The latter plays on hazard, chance, and adventure. The contractual and rational individual existing within stable institutions, the indivisible linchpin of political science (of surveys, for example, in which we see ever more inanity) is replaced by a person, nebulous to say the least, but for whom the instinctual will to live appears irrepressible.

Acceding to a Larger Self

Fickleness of opinion and diminishing political engagement are the most tangible manifestations of this shift, which can be explained in terms of a kind of desubjectivisation. The spirit of the times is no longer of subjectivism, but an outflow of self, a loss in the other. A transfiguration of politics, where it is no longer the individual that engages, but the person who rips himself free of the shackles, who bursts apart to access a larger Self: the Self of the tribe, the Self of nature, the Self of religiosity. In this fragmentation of the self to the Self, all is relative, and all is relation. Our obsession with role-playing games, cats, and social networking sites is the manifestation par excellence of such a diffusion. Or are we not to speak of this expansion?

One could cite countless quotations from acute spirits in every field who have highlighted the fragility of the individual. From Nietzsche speaking of ‘uncertain identity’ to Proust’s differentiation between an individual me and ‘deeper being’, many are the authors who expressed a tentative premonition that has today become an everyday reality. But it is too obvious for us to become cognisant of it. Our intellectual dogmata stop us from doing so. And yet, this fragmentation of identity in multiple identifications is here.

Within the framework of the modern educational system, the small child that had been successfully led out of animalism to civility, from barbarism to humanity, was provided with an inviolable identity. Sexual identity first of all: male or female. Its kind should be established and stable. A professional identity, likewise, bringing it into line with clearly-defined contours according to which it had to go about for the rest of its active existence. Finally, ideological identity, integrating it into a functional division: political, intellectual, possibly spiritual, in all predictable and reassuring.

This fine edifice has been brought down by advertising, fashion, role-play, where it is successive sincerities that seem to predominate. This, incidentally, confounds the various pollsters and other protagonists of ‘social engineering’ who take themselves for sociologists, faced with such-and-such a view at one time, ‘t’, and a completely different one at ‘t + 1’ or ‘t + 2’ – a day, an hour, a second later! And this of course in the same individual (since we dare not say ‘person’).

The plural person is likewise evident in the ambiguity that we see in advertising with regard to issues of sex. Even discerning the gender in question may at times be a delicate issue. Unisex fashion, galloping androgynisation, the development of male cosmetics, indefinable body postures, interchangeable hairstyles, the ubiquity of tattooing and piercing, all things which, in the image of other baroque periods, and close to the precise etymological meaning of barroco (‘irregular pearl’ in Portuguese), play on the ‘irregularities’ of human existence.

We might reflect on the sexual ambiguity manifested in bisexuality, the increase in partner swapping, the proliferation of ad hoc meeting-places and the exploration of alternative sexualities, all of which are symptomatic of cultural change underway: the ‘shadow of Dionysus’ projecting itself on the postmodern megalopolises. Dionysus is, as I recall, according to the historians of religions, a ‘god of a hundred names’, multiple, changing, always somewhere other than where he was thought to have ‘stowed away’: the emblematic figure of fragmentation.

A Tribal World

Another phenomenon is irrefutable here: the tribes. And yet we don’t want to see it. Or at best, we admit to its actual existence, but as transitory moment: ‘youth is as youth does’. Those who purport to analyse this youth will increasingly find themselves forced to recognise the numerous manifestations of such tribalism. Some speak of groups, bands, clans, but the postmodern tribes are specific, and should be thought of as such.

I would suggest three main features of the tribal phenomenon: the importance of the territory on which it is situated, the sharing of taste, and the return of the figure of the eternal child, all of which appear paradigmatic of a feeling of belonging which is both cause and effect. Taking them in order, let us consider the first of these characteristics: place, territory, localism. The social is linked sharply to time. Sociality is in the space: place makes link.

From an ethnological viewpoint, the tribe, strictu sensu, was a way of collectively combating the multiple forms of adversity of which there was no shortage in the jungle. The place that had been tamed was a guarantee at once of survival and solidarity. Is it not something like this that is at stake in these concrete jungles that are the postmodern megalopolises? The neighbourhood, the city, the four streets are as so many areas one can share with one’s tribe, which it strives to defend, sometimes even violently. This is the veridical matrix where living together finds its natural expression. The tribe might occasionally leave its territory and embark on deviations in some other part of the city, in some alluring place that, although unfamiliar, attracts it for whatever reason. But the point of attachment, the source of its communitarian rhythm, remains that place where it has its habitus, its customs and its traditions.

Those who prefer to whinge and launch into grandiloquent mantras on the unity of the national territory would do well to recognise the development of such a tribal localism, if for no other reason than to obviate its more injurious effects. Thinking in terms of localism certainly means going counter to the grand theories of emancipation proper to the nineteenth century, which sought at all costs to deracinate ways of life, of being, and of thinking, but what is also certain is that the conception of a Republic one and indivisible, which was the great specificity of the nineteenth century, is no longer the formula that prevails in a pluralistic mosaic: that of the many and varied tribes constitutive of social life.

A form of rootedness returns, in fact, to the agenda. And while ‘the welfare state no longer works’, it is from these very roots that new forms of solidarity are developing, alternative ways of expressing generosity and day to day mutual aid, even taking into account sufferings, maladies and other manifestations of human distress. Rootedness becomes dynamic and delimits the perimeter of a societal link in profound mutation.

The sharing of territory must be linked in parallel with the sharing of a taste – not least since taste is more often than not a tributary of the place where it can express itself. We may consider the postmodern tribes as being a way of sharing a particular taste. Thus, our cities will be merely a punctuation of places, sometimes “high places” where musical, sportive, cultural, sexual and religious tribes would meet. And this to celebrate the taste which serves as cement. It is important to emphasise this latter point. It is from the starting point of emotions, passions, specific affects, that we will thus think and organise the social relationship. And yet ‘tastes and colours’ are not subjects of discussion. That is to say, it is extremely problematic to continue to represent the world from the starting point of the universalism to which we have become habituated.

Taste is a world in miniature. As English novelist and academic David Lodge so aptly put it, ‘a small world’. Whether we are speaking of a cocktail party, a trade union demonstration, a political rally, or any number of diverse cultural and social events, it is often said: ‘everyone was there!!’ That ‘everyone’ is simply the known, familiar, habitual world. In other words, a tribal world; a world where shared taste serves as legitimation, as perfect rationalisation of pleasure, of the desire to be together, to live together.

Place and taste lead us to this other distinctive feature of the postmodern tribes, which is the accentuation of what is customarily called the ‘eternal child’. Indeed, playing in places, urban hotspots, there to live out his tastes and passions – isn’t this, despite the pejorative connotations of the term, an expression of a childlike wonder?

The myth of the puer aeternus, ‘the eternal child’, is a recurring theme in human history. Stories, legends, mythologies and established histories recall that the figure of the child has been the very essence of certain social imaginaries. In the modern period the emblematic figure was that of the serious and rational adult, the producer and reproducer; a contaminating figure that was the standard on the basis of which social life imagined itself and organised itself. Rationalism, the ascendancy of work and the social contract all rested on this foundation. But through a process of saturation, and hence recalibration, that figure, which can be described as Promethean, gives way to this, Dionysian, the perpetual adolescent. This latter figure, in the same way as its predecessor, becomes emblematic and contaminating.

Everyone behaves young, talks young, dresses young, stays young, and we could cite innumerable examples all pointing in this direction. But it becomes apparent that the natural structure of such an eternal child is a fusional, even confusional structure: another way of saying ‘tribe’. It is in this sense that the contemporary cult of youth, while having solid and deep anthropological roots, is perfectly inscribed in the evolving tribal constellation. And here again, rather than seeing this as something to be regretted or lamented, perhaps we should view it rather as the expression of a genuine vitality making us attentive to another way of being together. What I have referred to as the emergence of a communitarian ideal. That is, the development of a new public sphere, no longer based on a pyramidal and/or unified structure as it was accustomed to being, but starting from fragmentation, dissemination. This is precisely what is referred to in the communitarian tribal ideal.

A Fractal Society

The very term postmodernity to describe the evolution of society is borrowed from the vocabulary of architecture, in which ‘postmodernism’ refers to those organic constructions formed from disparate elements brought together from dissimilar environments in space and time. This quotation from antiquity, another from the Renaissance, and so on. Everything working together: it is diverse, yet still it holds.

Mandelbrot sets in mathematics show something of this order. What are, after all, the objets fractals, if not creations whose form is made up of irregularities, fragmentations? This field of mathematics does nothing more than theorise the multitude of examples provided by nature (snowflakes, bronchioles etc.). This fractality is such that we find in social networks which, moreover, are bolstered by developments in interactive means of communication proper to the Internet.

The art world is under no illusions about this. Visual artists have made the fractal a privileged object of their experimentation. The same can be said of choreographers such as Pina Bausch and Merce Cunningham, who have accented the organicity of fragmented moments that constitute their shows. Postmodern dance is a good illustration of the intimate connection between the body, in this at its most archaic, the most recent technique, and the environment in which the whole is situated.

During the modern period – the seventeenth, eighteenth and nineteenth centuries – differences were erased, specificities denied, particularities permanently excluded. All had to genuflect to the traditional rule of unity: of place, of time, and of action. In the image of one God, the individual had to have a single unique identity, the state had to be unified, institutions rationalised. Auguste Comte’s formulation, which bears repeating, aptly summarises such a process: ‘Reductio ad unum’ (‘Reduce to one’). It is because our intellectual subconscious remains marked by monotheism that we find it hard to acknowledge that individualism has had its day, as has the unity of the one and indivisible Republic.

As for what has been said about these artistic examples (postmodernism, fractal, postmodern dance), the figure of the mosaic is not inappropriate in illustrating the evolution of the social fabric from a pyramidal and hierarchical construction into this patchwork of tribes. Tribes themselves are fluid and versatile, each person having cause to belong to multiple tribes successively and concomitantly. And yet despite the diversity of its constituent elements, society is able to demonstrate a greater organicity. To put it in historical terms, no longer the Republic in its Jacobin sense, but the res publica of ancient memory, la chose publique, allowing for the convergence of opposing forms and forces.

The historian Philippe Ariès, known for his invigorating nonconformism, used the terminology of “immediate groups” or “small collectivities” in reference to these spontaneous entities, anterior to a more rational level of organisation, and which constitute the very basis for all being-together. Perhaps we are bearing witness here to the return of such entities. These would constitute the communitarian ideal of the postmodern sociality: a society outside or alongside the State, a vital social space with a specific autonomy – these TAZs, the ‘temporary autonomous zones’ of which Hakim Bey has spoken to us, and which are not without resonance with the younger generations. No longer the search for a distant utopia, abstract and to a greater or lesser extent rationalised, but its fragmentation into little interstitial utopias, lived, as far as possible, day to day, here and now.

Towards Another Social Relationship

The societal mosaic would henceforth be the adjustment of these micro-communities forged from the solidarities of the everyday, from the customs and traditions of the tribe and the manifold specific rituals that all this induces. One finds – bearing in mind here the spirit of the Dionysian times and the myth of the eternal child – that this self-adjustment will come about through all of the aesthetic, ludic aspects inherent in this sociality.

Throughout history there have, after all, already been cultures which rested on a festive foundation. Moments where, beyond any centralising and unifying principle, the ‘being-together’ in its uniqueness (unicité) is constituted from reciprocities, interactions, shared passions and emotions; in short, from a coparticipation, a world in which the various communities fine-tune themselves each in relation to each other.

We find echoes here of characteristics of periods that preceded modernity: the Renaissance and the late Roman Empire to take just two examples. This inevitably makes us uneasy, as the domestication of mores, the taming of passions which prevailed throughout modernity is in the process of being superseded by a réensauvagement of the world. But the disappearance of one form of social relationship – that of modernity, based on the social contract, individualism and the protector state – does not mean that there are no longer social bonds. On the contrary: a kind of relationship is emerging which is more emotional than rational. This signifies neither the end of the feeling of collective belonging, nor the end of solidarity.

The adjustment of the tribes among themselves will certainly draw a form of equilibrium more precarious than the belonging of individuals to the nation-state. But one perhaps better equipped to resist the myriad tectonic upheavals inherent in the drive towards globalisation. In this sense, tribalism is an efficacious form of the strengthening of social cohesion which it behoves us to understand rather than deny, knowing that, just as the modern man existed according to the rational contract, planned over the long term, so the postmodern man will live, more and more, with pacts: emotional, and ephemeral.

Secessio Vol. 2 No. 1, Autumn 2013

Translation by James Horrox